Professional conservation framed original signed antique 1922 cubist pastel painting drawing. Great example of 20th century cubism in the early years of the avant garde movement. The second photo is the actual wide black double frame, and the last photo shows the signature as PL 1922. Please use the zoom feature which allows you the opportunity to inspect items. Ships via expedited mail - insured with tracking

CONDITION: Excellent antique condition. Overall toning and some foxing at the outer edge which is covered by a matte. There appears to be a small fold at the bottom, which looks to have existed when the artist did it based on the pastel paint pattern. You can see it just to the right of the signature and date - bottom left.

SIZE: 11 1/2 inches wide x 8 1/4 inches high - acid free double matte with black fillet and off-white mat to 16 x 20 inches in a 26 x 22 x 3 inch frame

BUYER RESPONSIBILITIES: While I do my best to describe any potential flaws with equal attention to its attributes, please use the zoom feature to examine the item to make a determination if this meets your standards for vintage and antique items being offered. Email should you have any questions or require more information.

PLEASE NOTE: I do my best to pack glass as safely as possible and ship by courier. However, once and item leaves my hands it is out of my control. I can not guarantee safety and DO NOT accept returns or give refunds on broken glass / lamps etc.

Background:

Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. Cubism has been considered the most influential art movement of the 20th century.[1][2] The term is broadly used in association with a wide variety of art produced in Paris (Montmartre, Montparnasse and Puteaux) during the 1910s and extending through the 1920s.

The movement was pioneered by Georges Braque and Pablo Picasso, joined by Andre Lhote, Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Fernand Léger and Juan Gris.[3] A primary influence that led to Cubism was the representation of three-dimensional form in the late works of Paul Cézanne.[4] A retrospective of Cézanne's paintings had been held at the Salon d'Automne of 1904, current works were displayed at the 1905 and 1906 Salon d'Automne, followed by two commemorative retrospectives after his death in 1907.[5]

In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form—instead of depicting objects from a single viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context.[6]

The impact of Cubism was far-reaching and wide-ranging. Cubism spread rapidly across the globe and in doing so evolved to a greater or lesser extent. In essence, Cubism was the origin of an evolutionary process that produced diversity; it was the antecedent of diverse art movements.[7]

In France, offshoots of Cubism developed, including Orphism, Abstract art and later Purism.[8][9] In other countries Futurism, Suprematism, Dada, Constructivism, De Stijl and Art Deco developed in response to Cubism. Early Futurist paintings hold in common with Cubism the fusing of the past and the present, the representation of different views of the subject pictured at the same time, also called multiple perspective, simultaneity or multiplicity,[10] while Constructivism was influenced by Picasso's technique of constructing sculpture from separate elements.[11] Other common threads between these disparate movements include the faceting or simplification of geometric forms, and the association of mechanization and modern life. [Wikipedia: https://en.wikipedia.org/wiki/Cubism ]